March 23, 2015
We had many outstanding nominations for 2014 (and several late entries, hence the delay in announcing the award), and we are happy to congratulate Dennis Must for his fine work, Hush Now, Don’t Explain (Coffeetown Press in 2014), for which he will receive a $1000 prize.
In his review, Jack Remick called Hush Now, Don’t Explain, “a unique American novel, written in the language of the heartland before Jesus became a pawn in the political battle for the American soul. It is written in a subdued, subtle, understated lyrical style. It is as rich and diverse as America herself. It is at once a romance complete with trains, whorehouses, steel mills, and the death of the drive-in-movie theater.”
Here is Must:
These colossal land ships (trains) with spoked iron wheels taller than three of us…these were the engines of our dreams…Not like in the Pillar of Fire Tabernacle, where Christ hung on a cross and a single candle flickered under this feet…Everything inside the round house was glistening black, oil-oozing soot, except the hope curling out from under the bellies of those locomotives and their stacks, rising right up to the clerestory windows, then out to the sky and heaven. (109)
Thanks to Jack Remick for contributing the review. For more information about the Dactyl Award click here.
December 23, 2013
In the past three years, Dactyl Foundation has concentrated on developing the literary fiction community, which has dwindled over the past twenty years as publishing houses began to focus on big sellers ignoring the niche market of fine literature.
In 2010, we launched Dactyl Review, a community of literary fiction writers who review literary fiction and nominate works for Dactyl Foundation’s $1000 annual prize. The contest is open to any living literary fiction writer, regardless of date of publication or type of publication. We are especially interested in books that came out some time ago and have not yet received the recognition they deserve.
This year we decided to award two prizes. We are pleased to announce that the first award goes to The Double Life of Alfred Buber by David Schmahmann, published in 2011 by The Permanent Press. The second award goes to Cocoa Almond Darling by Jeffra Hays, self-published in 2011 on Kindle.
Support this worthy project now by becoming a member or renewing your membership. Click here. We’ve got a lot of interesting and important work ahead of us. We can’t do it without you. Thanks in advance for your support. Dactyl Foundation is a 501 c3 organization, and your donation is fully tax-deductible.
For a number of years, publishing has been dominated by commercial fiction. Literary fiction novels and short story collections by small presses or independent authors have little chance of being noticed by reviewers or placed on bookstore shelves. Even the literary fiction written by relatively well-known writers published by big houses has been pushed to the side by pseudo-literary fiction — written and reviewed by those who don’t know the difference between thought and sentimentality, poetry and the use of adjectives — such that the meaning of “literary” is lost. With the way the publishing system is currently organized, books aren’t given much time in front of judges and audiences. Those that don’t make it immediately are tossed in the remaindered bin. A deep pity, as literary fiction is slow-growing and takes time to find its audience. [continue...]
Now you can support Dactyl Foundation’s art-science programs next time you make travel reservations using any one of the major online companies, like Orbitz or Travelocity, or when you make any purchase on Amazon.com. 6% will go to Dactyl Foundation at no extra cost to you. Just use the links below to enter your favorite online site and make your reservation or purchases as you normally would, and Dactyl Foundation will receive a 6% donation. You will see the same low prices as you would if you entered these sites directly.
Next time you make travel reservations online, enter your favorite site through this page Hopetels.com
Next time you’re buying ANYTHING on Amazon.com, enter through this page
The Biologist’s Mistress: Rethinking Self-Organization in Art, Literature, and Nature
We have an exciting conference and art exhibition on mimicry and crypsis planned for fall 2012. Stay tuned for the call for papers. Thanks for supporting Dactyl.
January 1, 2011
Shadowplay (Ellipsis Press, 137 pages) by Norman Lock is the 2010 Dactyl Foundation Literary Fiction Award recipient. A dense fable, mixing magic realism with self-reflexivity….. See Dactyl Review.
NORMAN LOCK is the author of The King of Sweden (Ravenna Press), Shadowplay (Ellipsis Press), A History of the Imagination (FC2), ‘The Book of Supplemental Diagrams’ for Marco Knauff’s Universe (Ravenna Press), The Long Rowing Unto Morning (Ravenna Press), Two Plays for Radio (Triple Press), and–writing as George Belden–Land of the Snow Men (from Calamari Press and in Japanese from Kawade Shobo). Two short-prose collections – Joseph Cornell’s Operas and Émigrés – were published by Elimae Books and subsequently issued, in Turkish, by an Istanbul publisher as part of its New World Writing series. Together with Grim Tales, they were brought out by Triple Press as Trio. Cirque du Calder, a hand-made artist’s book with afterword by Gordon Lish, was presented by The Rogue Literary Society. [continue...]
CLOSED: Awards Are No Longer Offered
Essay Awards Dactyl Foundation offers a $1,000 award for essays on literary theory, aesthetics, or poetics, which are grounded in science. The award is given periodically only when a suitable recipient is found. Awards are determined by the board. We are no longer accepting unsolicited entries. (The award amount was formerly $3,000 1997-2001)
Travel Award & Research Support Dactyl Foundation currently offers partial support (in the form of small cash awards, travel to conferences, and a think tank environment) for several scholars. We provide researchers with the opportunity to invite scientists and artists working in relevant fields to visit Dactyl Foundation in order to consult or collaborate.
“Creative Evolution: A Theory of Cultural Sustainability,”
forthcoming in Communications, Politics and Culture. Dactyl Foundation is please to award Wendy Wheeler this year for her essay which helps to bring the sciences back into the arts.
‘Under the name of something called postmodernism, or of a condition called postmodernity, the idea of the artist as someone possibly doing something special has been derided as romantic [continue...]
2005 Award Recipients for “Osmetic Ontogenesis, or Olfaction Becomes You: The Neurodynamic, Intentional Self and Its Affinities with the Foucaultian/Butlerian Subject,” Configurations 9 (2001): 509-541. Published by The Johns Hopkins University Press and the Society for Literature and Science. The authors will present at Dactyl Foundation’s Poetics-CogSci Colloquy in September 2005. Walter J. Freeman, UC Berkeley, is a Professor of the Graduate School in Biophysics, Graduate Group in Bioengineering. See The Freeman Laboratory for Nonlinear Neurodynamic. Jennifer Ruth Hosek is a Fellow in the Humanities at Stanford University. She received her doctorate in Comparative Literature from the University of California, Berkeley in December 2004, for a dissertation entitled: Cuba and the Germans: A Cultural History of an Infatuation. In addition to work in cultural, gender, postcolonial and film studies, Jennifer is interested in representations of selfhood in scientific and literary texts.
May 19th 2005
Second Annual Spring Fling Benefit for the Bronx Charter School for Better Learning A progressive educational program for elementary school children in the Bronx. Private event featuring passed hors d’oeuvres and cocktails.
David Herman received a travel award for his work in narrative theory
Lisa Zunshine was awarded travel support based on her work on
Why We Read Fiction
My title is inspired by the question that I asked myself about fourteen years ago, when I first came to this country and was going through one of those periods of reading fiction voraciously. It was then that I first started wondering what is this strange craving? Science can explain much of what happens in our brain and the rest of the body when we want to eat, to drink, and to sleep, but what about wanting to read? It can certainly feel as strong as a mild [continue...]
Sharon Lattig received travel awards and research support for her work on
The Perception of Metaphor and the Metaphor of Perception
Within The Prelude’s “Book the First” is nested the epic’s celebrated “boat-stealing episode,” the story of the boy Wordsworth¹s clandestine launch of a shepherd’s skiff discovered on a twilight ramble. This salient passage, in what Wordsworth referred to as a “preparatory poem,” charts what is effectively an archeology of the pathetic fallacy, rooting it in a breach of intentionality, as the term is revised by Walter Freeman to mean the neurological process by [continue...]
Angus Fletcher’s essay “Long Amazing Unprecedented Way,” appears in murmur Vol ii (New York: Donc Alors, 2000) and can be obtained for $10 by writing to email@example.com. The essay is based on a lecture delivered at Dactyl Foundation April 5, 2000 on John Ashbery’s “middle poetry.” More info.
Award Recipient: Dominick LaCapra, “Trauma, Absence, Loss,” in Writing History, Writing Trauma (Baltimore: Johns Hopkins Univ Pr, 2000)
In his essay, “Trauma, Absence, Loss,” Dominick LaCapra shows a sensitive understanding of the subtleties of deconstructive technique, and then, without refuting any of its claims, he advances the next intellectual step that takes us beyond postmodernism and into a [continue...]
Wai Chee Dimock’s essay, “A Theory of Resonance,” which appeared in the October 1997 issue of PMLA, offers the concept of “noise” as a provocative analogy for interpretive contexts. Unlike many other writers on the same topic, Dimock makes the claim that noise is positive, “a necessary feature of a reader’s meaning-making process. [continue...]
In his essay, ”Listening to Pop.” Vincent demonstrates how the lesson of Claes Oldenburg’s work is distorted as it is reinterpreted today. According to the argument, representational art has reinforced the illusion of a knowable, static reality, while at the same time it has always explicitly deconstructed that illusion by its very nature of being artificial. Pop Art attempted to apply this lesson at large, showing how everyday objects should be seen as signs trying to establish an eternal logos. An important lesson indeed. But one that has backfired. As Vincent argues, these everyday objects have come to re-present themselves as signifiers of a signified, reversing Pop Art’s intention. They now “represent” the Mythology of the era in which they were produced. Vincent captures the eeriness involved in such a reinterpretation and reminds us how deeply invested the human race is in its will to believe. Copies of the essay can be obtained for $7 by writing to firstname.lastname@example.org. Note: Steven Vincent was murdered in Iraq in 2006 for questioning political practices in a NYTimes Letter to the Editor.