{"id":1156,"date":"2005-08-08T13:09:44","date_gmt":"2005-08-08T20:09:44","guid":{"rendered":"http:\/\/i81.a52.mywebsitetransfer.com\/?p=1156"},"modified":"2010-02-08T13:11:38","modified_gmt":"2010-02-08T20:11:38","slug":"sage-vaughn-where-eagles-dare","status":"publish","type":"post","link":"https:\/\/dactylfoundation.org\/?p=1156","title":{"rendered":"Sage Vaughn, Where Eagles Dare"},"content":{"rendered":"<p><strong><a rel=\"attachment wp-att-1157\" href=\"https:\/\/dactylfoundation.org\/2005\/08\/08\/sage-vaughn-where-eagles-dare\/s_v_eagles\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-1157\" title=\"S_V_Eagles\" src=\"https:\/\/dactylfoundation.org\/wp-content\/uploads\/2010\/02\/S_V_Eagles-108x150.jpg\" alt=\"\" width=\"108\" height=\"150\" srcset=\"https:\/\/dactylfoundation.org\/wp-content\/uploads\/2010\/02\/S_V_Eagles-108x150.jpg 108w, https:\/\/dactylfoundation.org\/wp-content\/uploads\/2010\/02\/S_V_Eagles-216x300.jpg 216w, https:\/\/dactylfoundation.org\/wp-content\/uploads\/2010\/02\/S_V_Eagles.jpg 450w\" sizes=\"auto, (max-width: 108px) 100vw, 108px\" \/><\/a>September 24, 2005-November 18, 2005<\/strong><br \/>\n&#8220;Where Eagles Dare,&#8221; paintings<br \/>\nCurated by Neil Grayson<br \/>\nOpening Reception: Saturday, September 24, 2005, 7-9 PM<\/p>\n<p>If at first glance this work seems to depict pretty bucolic suburban life, on second glance one notes that the sparrows and pigeons are tattooed with gang affiliations. Telephone poles replace totem poles and smoke stacks steeples in their sacred significance. The theme running through the series speaks of wild animals being partially domesticated and children going feral. This untraditional portrayal of nature is not necessarily sinister, but it&#8217;s edgier than it first appears.<\/p>\n<p>Former graffiti artist, Sage Vaughn has been featured in\u00a0<em>Warped, Nylon, Juxtapos, PUTA and i-D<\/em> magazines as &#8220;an artist to watch.&#8221;<\/p>\n<div><span style=\"font-family: arial, 'Times New Roman', 'Bitstream Charter', Times, serif;\"><span style=\"line-height: normal; font-size: x-small;\"><br \/>\n<\/span><\/span><\/div>\n<p class='fb-like'><iframe src='http:\/\/www.facebook.com\/plugins\/like.php?href=https:\/\/dactylfoundation.org\/?p=1156&amp;layout=standard&amp;show_faces=true&amp;width=260&amp;action=like&amp;colorscheme=light' scrolling='no' frameborder='0' allowTransparency='true' style='border:none; overflow:hidden; width:260px; height:26px'><\/iframe><\/p><fb:share-button href=\"https:\/\/dactylfoundation.org\/?p=1156\" type=\"box_count\"><\/fb:share-button>","protected":false},"excerpt":{"rendered":"<p>September 24, 2005-November 18, 2005 &#8220;Where Eagles Dare,&#8221; paintings Curated by Neil Grayson Opening Reception: Saturday, September 24, 2005, 7-9 PM If at first glance this work seems to depict pretty bucolic suburban life, on second glance one notes that the sparrows and pigeons are tattooed with gang affiliations. Telephone poles replace totem poles and &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/dactylfoundation.org\/?p=1156\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Sage Vaughn, Where Eagles Dare&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,12,54,13],"tags":[],"class_list":["post-1156","post","type-post","status-publish","format-standard","hentry","category-art","category-curatorial-statements","category-exhibitions","category-solo"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.1.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"September 24, 2005-November 18, 2005 &quot;Where Eagles Dare,&quot; paintings Curated by Neil Grayson Opening Reception: Saturday, September 24, 2005, 7-9 PM If at first glance this work seems to depict pretty bucolic suburban life, on second glance one notes that the sparrows and pigeons are tattooed with gang affiliations. Telephone poles replace totem poles and\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"admin\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/dactylfoundation.org\/?p=1156\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 5.0.1.1\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"Dactyl Foundation | bringing science into art and art into science\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"Sage Vaughn, Where Eagles Dare | Dactyl Foundation\" \/>\n\t\t<meta property=\"og:description\" content=\"September 24, 2005-November 18, 2005 &quot;Where Eagles Dare,&quot; paintings Curated by Neil Grayson Opening Reception: Saturday, September 24, 2005, 7-9 PM If at first glance this work seems to depict pretty bucolic suburban life, on second glance one notes that the sparrows and pigeons are tattooed with gang affiliations. 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