{"id":269,"date":"1997-09-15T13:57:11","date_gmt":"1997-09-15T20:57:11","guid":{"rendered":"http:\/\/i81.a52.mywebsitetransfer.com\/?p=269"},"modified":"2010-02-18T10:16:54","modified_gmt":"2010-02-18T17:16:54","slug":"audrey-code-paintings","status":"publish","type":"post","link":"https:\/\/dactylfoundation.org\/?p=269","title":{"rendered":"Audrey Code, paintings"},"content":{"rendered":"

\"\"<\/a>September 1997<\/strong><\/p>\n

The inaugural exhibition at the Dactyl Foundation for the Arts & Humanities featured New York artist Audrey Code. PBS Television (channel 21 in New York).<\/p>\n

PBS<\/strong> Television (channel 21 in New York)
\nMetroGuide <\/em>August 27, 1997
\nInterview with\u00a0Audrey Code<\/strong> and\u00a0Neil Grayson.<\/strong><\/p>\n


\n<\/strong><\/p>\n

“I’m very much interested in classical drawing, classical painting. . . but updated. I place the canvas on the floor and do a lot of splattering and pouring of paint, not randomly. It’s controlled. I call my technique a kind of learned intuition.<\/p>\n

“Oftentimes I see representational painting that impresses me on a technical level but doesn’t move me or get me excited. I oftentimes see abstract painting that is so detached from the form that I can’t relate to it in any real way. I can’t recognize it. What I think every great artist is always searching for is a way to express the ineffable and still hold on to something tangible that the viewer can relate to as well. Audrey manages to get these two qualities in a single image. It moves you.”<\/p>\n