Victoria N. Alexander earned her Ph.D. in English at the Graduate Center, City University New York and did her dissertation research in teleology, evolutionary theory, and complexity science at the Santa Fe Institute. She is a novelist (Smoking Hopes, Naked Singularity, Trixie, and Locus Amœnus). Her honors include a Rockefeller Foundation Residency (Bellagio, Italy), a Jewish Foundation for the Education of Women Fellowship, two Art & Science Lab Residencies (Santa Fe), Alfred Kazin Award for Best Dissertation (GC, CUNY), the Washington Prize for Fiction (Smoking Hopes) Dallas Observer‘s “Best of 2003″ (Naked Singularity) and the Literary Fiction Book Review award (Locus Amœnus).
Alexander is currently a Public Scholar for the New York Council for the Humanities 2015-2017. She is on the editorial boards of Biosemiotics journal (Springer Publishing) and Meaning Systems book series (Fordham UP), as well as active in the literary fiction community as editor of Dactyl Review.
Ph.D., English, The Graduate Center, City University New York. Dissertation title: Narrative Telos: The Ordering Tendencies of Chance. Fields of specialization: Narrative Theory, Philosophy of Science, and 20th Century Novels. Passed Oral Examinations with Academic Distinction.
2016 ”Chance, Nature’s Practical Jokes, and the “Non-utilitarian Delights” of Butterfly Mimicry,” Fine Lines: Vladimir Nabokov’s Scientific Art. Eds. Stephen Blackwell and Kurt Johnson. New Haven: Yale University Press.
2016 “Papillons et feuilles mortes : une approche biosémiotique de la mimesis chez Nabokov” Fabula: et recherche en litterature. Paris, France. Translated by Pierre–Louis Patoine.
2015 “Nabokov, teleologie a hmyzi mimeze,” Krása a zvíře. Studie o vztahu estetických a etických hodnot zvířat. Eds. Ondřej Dadejík, Filip Jaroš, Martin Kaplický. Prague, Czech Republic: Dokoran, 2015. Translation of “Nabokov,Teleology, and Insect Mimicry” by Flip Jaroš.
2014 ”Toward a Definition of Biosemiosic Chance,” in a special issue of Biosemiotics. VN Alexander, editor, with papers by Gennaro Auletta and Lluc Torcal, Stanley Salthe, Gerald Ostdiek, James Coffman, and Wendy Wheeler.
2014 ”How does Cognition come from Chance?” in Charles S. Peirce in his own Words: 100 years of Semiotics, Communication and Cognition. Semiotic, Communication, and Cognition. Edited by Torkild Thellefsen and Bent Sorensen.Walter de Gruyter.
2012 ”Creativity: Self-referential Mistaking, Not Negating,” Biosemiotics Aug. Online First. Print. Volume 6, Issue 2 (2013), Page 253-272
2012 “Chance,” in A More Developed Sign: Advancing the Work of Jesper Hoffmeyer. Edited by Donald Favareau et al. Tartu Semiotics Library 10. Tartu: Tartu University Press.
2011 Review of Essential Readings in Biosemiotics: Anthology and Commentary by Donald Favareau. The Journal of Applied Philosophy 28 (4) 412-414..
2010 with Stanley Salthe, “Monstrous Fate: The Problem of Authorship and Evolution by Natural Selection,” Annals of Scholarship 19 (1): 45-66.
2009 “The Poetics of Purpose,” Biosemiotics 2 (2009): 77-100.
2008 “The (Re)emergence of Language in Art,” Dialogues, New York: Jan Krugier Gallery.
2007 Review of Wendy Wheeler’s. The Whole Creature: Complexity, Biosemiotics and the Evolution of Culture. Configurations 14 (2007): 185-188.
2006 “C. S. Peirce’s Theory of Self-Organization and The Crying of Lot 49,” Pynchon Notes 52-53 (2006): 23-39.
2005 “Hopeful Monsters: Literary Teleology and Emergence” Emergence:Complexity & Organization 7 (2005): 95-104.
2004 Review of Angus Fletcher’s New Theory for American Poetry, in Style 39 (2004): 501-505.
2002 Review of Brian Boyd’s Nabokov’s Pale Fire and the Magic of Artistic Discovery, in Antioch Review 60 (Summer 2002): 530-531.
2001 ”Neutral Evolution and Aesthetics: Vladimir Nabokov and Insect Mimicry,” Working Papers Series 01-10-057 (Santa Fe: Santa Fe Institute, 2001).
1999 “Polonius and Poland, a Coincidence,” English Language Notes 36 (1999): 8-13.
1999 “Indeterminacy Revisited,” zingmagazine 5 (1999): 33-38.
1997 “Louis Begley: Trying to Make Sense of It,“ Antioch Review 55 (1997): 292-304.
1994 “Martin Amis: Between the Influences of Bellow and Nabokov,” Antioch Review 52 (1994): 580-590. reprinted in Contemporary Literary Criticism 101, ed. Deborah Stanley (Detroit: Gale Research Company, 1997), 78-83.
2015 Locus Amœnus (The Permanent Press, 2015.)
2010 Trixie (Amazon, 2010).
2003 Naked Singularity (The Permanent Press, 2003).
2000 ”S,” murmur 2 (2000): 142-143.
1997 “The Bird Girl,” Texas Short Stories (Browder Springs, 1997), 364-373.
Honors and Awards
2016 Excellence in Literary Fiction, Literary Fiction Book Review for Locus Amoenus
2015 Public Scholar, New York Council for the Humanities
2003 ”Best of 2003″ Dallas Observer award for Naked Singularity
2002 Alfred Kazin Award for Best Dissertation, English Department, Graduate Center, CUNY.
2001 Scholar in Residence, Rockefeller Foundation Study and Conference Center, Bellagio, Italy
2001 Dissertation Fellowship, Jewish Foundation for the Education of Women, NY, NY
2001 Writer in Residence, Art & Science Laboratory, Santa Fe, NM
2001 Visiting Researcher, Santa Fe Institute, Santa Fe, NM
2000 Writer in Residence, Art & Science Laboratory, Santa Fe, NM
1998 Academic Distinction, English Department, Graduate Center, CUNY
1995 Washington Prize for Fiction, Kaufman Literary Agency, Arlington, VA (Smoking Hopes)
1992 Bernard Cohen Prize for Fiction, Hunter College, NY, NY (Smoking Hopes)
1991 Mayor’s Scholarship, Hunter College, NY, NY
1990 Bernard Cohen Prize for Fiction, Hunter College, NY, NY (“The Bird Girl”)
2014 “How can Art and Science Interact Meaningfully,” LASER, New York, NY.
2013 “Deadleaf Butterflies: A Biosemiotic Approach to Mimesis in Nabokov,” Sorbonne Novelle. Paris, France.
2010 ”Nature is a Work of Arts: Puns and Meaning,” Art-Science Salon with Ellen Levy, NY, NY
2005 “Complexity Science and Evolution,” Darwin Day Celebration, New Jersey Humanist Network and CFI-NJ.
2004 “Ecopoetics,” with Marcella Durand and Lytle Shaw, Dactyl Foundation, NY, NY
2004 “Euthanasia and Fate,” Virginia University, James Madison University, Delaware University.
2003 “On Euthanasia, Moral Choice, and Science,” Hemlock Society, New York, NY; Hudson Valley Humanists, New Paltz, NY; Washington Secular Humanists, Baltimore, MD; Freethinkers of Colorado Springs, Colo Springs, CO; Denver Atheists, Denver, CO; FACT, San Antonio TX
2003 “Nabokov and Mimicry,” Colorado College, Colorado Springs, CO
2002 “Sacred/Secular: The Epiphenomenal in Post ‘Postclassical’ Science,” Graduate Center, CUNY, New York, NY.
2001 “Nabokov and Anti-Darwinian Evolution” Dactyl Foundation, New York, NY
2001 “Art Versus Science,” Georgia O’Keeffe Museum, Santa Fe, NM
2001 “Neutral Evolution and Aesthetics: Vladimir Nabokov and Insect Mimicry,” Santa Fe Institute, NM
2016 “When mimicry is a sign,” Biosemiotics Gathering, Prague, Czech Republic
2014 ”The Biosemiotics of Biosemiotics,” Living in Cybernetics, American Society for Cybernetics, Washington DC
2014 ”A Biosemiotic Definition of a Semiotic Object,” Peirce International Centennial Congress, Lowell MA
2013 ”Toward a Biosemiotic Definition of Chance” International Biosemiotics Studies, 13th Annual Gathering, Castiglioncello, Italy.
2012 “Creativity: The negation of self-reference through misinterpretation,” International Society for Biosemiotic Studies, 12 Annual Gathering, Tartu, Estonia
2011 “General Introduction to Biosemiotics,” Society for Literature, Science & the Arts, Kitchener, Ontario
2011 “Self as Semiotic Object,” International Society for Biosemiotic Studies, 11th Annual Gathering, NY, NY, organizer
2010 ”Creativity and Value,” Social Entrepreneurship Conference, Aldephi University, Long Island, NY
2010 “Secular Teleology,” International Society for the Study of Narrative, Cleveland, OH.
2010 International Society for Biosemiotic Studies, Braga, Portugal
2009 “The Problem of Authorship and Evolution by Natural Selection,” Society for Literature, Science & the Arts, Atlanta, GA
2009 International society for Biosemiotic Studies, Prague, Czech Republic.
2008 “Image Clusters,” Society for Literature, Science & the Arts, Charlotte, NC
2007 “Poetics or Semiotics,” Biosemiotics Gathering, Syros Greece
2007 “Message without Sender,” Society for Literature, Science & the Arts, Portland, ME
2006 “On T. L. Short’s Notion of Purpose,” C. S. Peirce Conference, Helsinki, Finland
2006 “On T. L. Short’s Notion of Purpose,” Biosemiotics Gathering, Grotigen, The Netherlands
2006 “Evolution: Cultural, Biological, and Cosmic,” Society for Literature, Science & the Arts, Dactyl Foundation, NYC–organizer
2006 “Deterministic Chance (As a Kind of Punning), Emergence, and Final Chance,” Society for Literature, Science & the Arts, Dactyl Foundation, NYC
2005 “Meaning, Function & Context as Scientific Concepts” Society for Literature, Science, and the Arts, Chicago, IL.
2005 “Henry James’ Teleology” Society for the Study of Narrative Literature, Louisville, KY
2004 “Ecology and Ethics,” Society for Literature and Science, Durham, NC
2004 ”Phenomenal Patterns: Narratology,” PALA, NY, NY
2004 ”James’s Pragmatic Teleology,” Universite de Montreal, Quebec, Canada
2003 ”Darwinian Ecologies,” Society for Literature and Science, Austin, TX
2003 ”The Status of Emergence,” roundtable: N. Katherine Hayles, John Johnston, Eve Keller, and Susan Oyama, Society for Literature & Science, Austin, TX–organizer
2002 ”Nonlinearity and Teleology,” Society for Literature and Science, Cal-Tech, Pasadena, CA
2002 ”Nabokov and Insect Mimicry,” Nabokov Museum, St. Petersburg, Russia
2002 ”Agency in Henry James: From Positivism to Probabilism,” Society for the Study of Narrative Literature, E Lansing, MI
2001 “Genetic Determinism and Telos,” Society for the Study of Narrative Literature, MLA, New Orleans, LA
2001 “Narrative Teleology and Aesthetics,” Determinism Workshop, Max Planck Society, Ringberg Castle, Germany
2001 ”Nabokov, Evolution, and Aesthetics,” American Literature Association, Cambridge, MA
2000 ”Narrative Teleology and New Physics, ” Central NY Conference on Literature and Language, SUNY Cortland, NY
2000 ”The History of Chaos in Science, Literature, and Art,” Dactyl Foundation for the Arts & Humanities, NY, NY–chair
2000 ”Pynchon and Complexity Science,” Twentieth-century Literature Conference, Louisville, KY
1998 ”Art and Science,” Dactyl Foundation for the Arts & Humanities, New York, NY
1998 ”The Interpreters,” Dactyl Foundation for the Arts & Humanities, New York, NY–chair
1991 “Writing Across the Curriculum,” Writing Centers Association, New York, NY
Videos and Documentaries
2014 ”The Science of Making Choices,” Science, Art and Biosemiotic Series produced by Lucian Rex.
2000 “The Look of Love,” with artist Alexandra Wiesenfeld Dactyl Foundation for the Arts & Humanities, NY–producer
1999 “Don’t Let Go,” with artist James Gilroy and filmmaker Larry Clark, Dactyl Foundation for the Arts & Humanities, NY–concept development
Curatorial Projects-Visual Art
2009 Judy Glantzman, “A Thirty-Year Retrospective,” Dactyl Foundation, NY
2007 Yelena Yemchuk, “Notes on Fatomas,” Dactyl Foundation, NY
2006 Debra Sessel, “Faith,” Dactyl Foundation, NY
2004 Yelena Yemchuk, “Sensitive,” Dactyl Foundation, NY
2002 Yelena Yemchuk, “Phenomena+Existence No. 1,” Dactyl Foundation for the Arts & Humanities, NY
2002 James Gilroy, “Before and After 9/11 Dactyl Foundation for the Arts & Humanities, NY
2002 Emily Orling, “Infant Paintings,” Dactyl Foundation for the Arts & Humanities, NY
2000 Alexandra Wiesenfeld, “The Look of Love,” Dactyl Foundation for the Arts & Humanities, NY
1999 James Gilroy, “Information Paintings,” Dactyl Foundation for the Arts & Humanities, NY
International Society for Biosemiotic Studies
Biosemiotics, Springer, editorial board
Meaning Systems Book Series, Fordham University Press, editorial board
International Vladimir Nabokov Society
Society for Literature, Science & the Arts, former member-at-large
International Society for the Study of Narrative
‘Chance that Mimics Choice’: Nabokov’s Teleology and Narrative Theory