Tag: literary fiction

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It’s that time of year

In 1959 Elizabeth Hardwick, novelist, reviewer, and wife of poet Robert Lowell, wrote a pointed critique of the book reviewing industry. She noted that the most trusted of review organs, the New York Times Book Review, was remarkable only for “the flat praise and the faint dissension, the minimal style and the light little article, the absence of involvement, passion, character, eccentricity — the lack, at last, of the literary tone itself.”

That was 1959. The year is now 2017 and coming to a close, and that means it’s time for me to come to you, hat in hand, to ask for your support for Dactyl Review, a literary fiction book review created by and for the literary community. If sixty years ago literary reviewers had begun to dwindle, as Hardwick noted, in the following decades we have seen the disappearance of the literary reader, the literary writer’s habitat. You may think rightly of this as an appeal to save an endangered species.

Every year, about this time, I try to explain why literariness matters, why we all need a little poetics in our lives. You can find some of these appeals here and here and here. The same still goes for 2018. Please be as generous as you can. We’ve got some great authors and reviewers here who need readers. And your donation is tax-deductible.
-VN Alexander, Editor


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The 2016 Dactyl Literary Fiction Award goes to Sea of Hooks by Lindsay Hill

seaofhooksSea of Hooks (McPherson & Co) was nominated by Barbara Roether, author of This Earth You’ll Come Back To. In her review of Hill’s unusual novel, Roether writes, “There is a paradox that floats through the Sea of Hooks, which is that the experience of reading it is almost the opposite of how it is written. That is to say, while the story is told in its short collage-like segments, their effect is an almost seamless classical narrative. The way sections move from multiple perspectives, dreamtime, real-time, then meld together with such cohesive and penetrating storytelling, is a testament to the author’s insightful eye for detail and character.”

We can say that Sea of Hooks  is a long narrative prose poem, which may be the essence of what it is to be a literary fiction novel.
Continue to Dactyl Review.

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Final nominations for Dactyl Foundation’s 2015 Literary Fiction Award

In the last two weeks of the year, Dactyl reviewers posted seven excellent reviews of some very fine works of fiction. Thanks to all those who participated in Dactyl Review in 2015.

seaofhooksSea of Hooks by Lindsay Hill
Posted on December 31, 2015

Lindsay Hill casts a magician’s spell across his Sea of Hooks (McPherson, 348 pages). On the surface his world is rendered in bright pixels of quivering light, while underneath a seamless narrative undercurrent pulls us into the mysterious depths of experience. For the reader willing to dive under, this journey is unforgettable.

Sea of Hooks is, on the one hand, a fiercely original Bildungsroman set in San Francisco in the 50’s and 60’s. Christopher is an overly imaginative boy, part Holden Caulfield and part Little Lame Prince, who lives in precarious affluence in a darkish Victorian on the edge of Pacific Heights. His delicate, high-strung mother is obsessed with Japanese culture and dead by suicide in the first paragraph. Dad works in finance on the Pacific Stock exchange, until he doesn’t anymore. There are prep schools, bridge games, Dickensian neighbors like the wise and wonderful Dr. Thorn; along with house fires, a very nasty tutor/pederast from Stanford, a trip to Bhutan and encounters with Buddhist monks. Hill’s rich prose makes us feel Christopher is someone we have always known, a boy who lives in a house we have been to, whose eccentric mother we’ve had tea with, whose city we are walking in. Continue reading →

Continue reading “Final nominations for Dactyl Foundation’s 2015 Literary Fiction Award”

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Nominate your favorite literary fiction author for the $1,000 Dactyl Award

Dactyl Foundation offers a $1000 award to any literary fiction author, writing in English, who has published a book-length work, novel or collection of short stories. To be considered for the 2016 award, an author must be nominated by a peer, another published literary fiction author who must submit a review of one of the author’s works to Dactyl Review by December 31, 2015.

The Dactyl Foundation Literary Award is designed to encourage authors to work together to promote literary fiction.  The way the publishing and awards system is currently organized, too few people are in control of what books become known to the public. Too often the people making the decisions are more interested in the expected market performance of the work than in its literary merits. Dactyl Foundation wants to make it possible for more literary fiction writers to have a voice in deciding which works are recognized as literary. Dactyl Review does not have a staff of reviewers or judges; instead the literary fiction community is called upon to review and judge the works considered for the award.

See more:  http://dactylreview.com/2015/11/09/nominate-your-favorite-literary-fiction-author-for-the-1000-dactyl-award/

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The Pilgrim of Love: a ludibrium by Charles Davis

“I was pleased to discover in myself an uncanny knack for interpreting the hermetic language of alchemy, as if my book learning had been but a preparation for decrypting enigmatic texts, reading meaning into that which, on the surface, seemed meaningless.”

So says the unnamed narrator of Charles Davis’ The Pilgrim of Love: a ludibrium, an obsessively researched and elaborately plotted parody of an historical romance. (Parody, as I understand the term, is best written by an author who actually loves his target, but who can put some ironic distance between himself and his subject.) The story is set in the abbey of the legendary Mont Michel in 1621, when the absence of roadway access meant visiting pilgrims had to make their way around quicksand between dangerously unpredictable tides. The landscape always plays an important and often symbolic role in Davis’ novels. The pilgrims must interpret the patterns in the sand to avoid sinking in the lise.

continue to Dactyl Review

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The Scapegoat by Sofia Nikolaidou

As I begin to write this on January 20, 2015, the news from Buenos Aires isn’t good. Albert Nisman, the federal prosecutor assigned to finally uncover the truth about the 1994 bombing of the Argentina Israelite Mutual Association, a Jewish community center, was found dead in his apartment. Nisman was about to reveal a high-level government conspiracy to cover up Iran’s role in the bombing, which killed 85 people. Argentina has long struggled with corruption and politicization of its government institutions, making it almost impossible for the nation to confront its demons—from sheltering Nazis to the 1970s/1980s rounding up and killing of leftists, communists, intellectuals, and Jews who became known as the desaparecidos opposed to the ruling right-wing Junto. The powerful are usually protected.
Continue to Dactyl Review.

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Review by Charles Holdefer

The Art of Fielding by Chad Harbach
reviewed by Charles Holdefer


Dactyl Review Project

There’s a long tradition of writing about sport that tries to be more than writing about sport. Journalism, it seems, is not enough. The events of a game and the constraints of its rules become raw materials for allegory. Much fuss has been made in recent years about the rise of nonfiction and its power over the popular imagination—but when it comes to sport, the lure of myth remains strong….

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2010 Dactyl Review Literary Fiction Award Winner Publishes New Book

June 6, 2012

Escher’s Journal by Norman Lock is now available from ravennapress.com.

“I wrote this imaginary journal to explain a genuine interest in Escher’s work and to think as profoundly as I am able about the grand metaphysical notions that spellbind even the most cynical practitioner of the arts in our time: truth and semblance, the finite and the infinite, the temporal and the timeless, natural law and the dictates of unconscious life, dreaming and the creative imagination. (Those of us for whom to write is to consider ideas, playfully more often than not, seem never to tire of these oppositions.) And so Escher’s journal is also mine.” – Norman Lock, from the Afterword

Click on the cover to purchase the book from Amazon and 4-6% of your purchase price (at no additional cost to you) will go to support Dactyl Review.

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Dactyl Review: literary fiction reviewed by and for the literary fiction community

Ongoing
A new online review of strictly literary fiction, created for and by the literary fiction community. For readers. As literary fiction disappears from the pages of major book reviews, it becomes harder to find good books to read. With tags for style and influence and easy access to excerpts, Dactyl Review is unlike any other fiction review site, helping readers find the particular kinds of “literary fiction” they prefer. Because we’re not a commercial site, we don’t favor the newest books or books by best-selling authors. We publish reviews of only the best literary fiction, older and new, as judged by other literary fiction writers. For writers. Helping to promote and support the kind of work you admire will help build a readership for your own work. Reviewers with the highest percentage of positive feedback will be noted in the top ten reviewers section. Go to dactylreview.org

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Shelf Life: A literary fiction award that doesn’t expire

Ongoing

For a number of years, publishing has been dominated by commercial fiction. Literary fiction novels and short story collections by small presses or independent authors have little chance of being noticed by reviewers or placed on bookstore shelves.  Even the literary fiction written by relatively well-known writers published by big houses has been pushed to the side by pseudo-literary fiction  — written and reviewed by those who don’t  know the difference between thought and sentimentality, poetry and the use of adjectives — such that the meaning of “literary” is lost. With the way the publishing system is currently organized, books aren’t given much time in front of judges and audiences. Those that don’t make it immediately are tossed in the remaindered bin. A deep pity, as literary fiction is slow-growing and takes time to find its audience. Continue reading “Shelf Life: A literary fiction award that doesn’t expire”

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Dactyl Literary Award: Shadowplay by Norman Lock

January 1, 2011

Shadowplay (Ellipsis Press, 137 pages) by Norman Lock is the 2010 Dactyl Foundation Literary Fiction Award recipient.  A dense fable, mixing magic realism with self-reflexivity….. See Dactyl Review.

NORMAN LOCK is the author of The King of Sweden (Ravenna Press), Shadowplay (Ellipsis Press), A History of the Imagination (FC2), ‘The Book of Supplemental Diagrams’ for Marco Knauff’s Universe (Ravenna Press), The Long Rowing Unto Morning (Ravenna Press), Two Plays for Radio (Triple Press), and–writing as George Belden–Land of the Snow Men (from Calamari Press and in Japanese from Kawade Shobo). Two short-prose collections – Joseph Cornell’s Operas and Émigrés – were published by Elimae Books and subsequently issued, in Turkish, by an Istanbul publisher as part of its New World Writing series. Together with Grim Tales, they were brought out by Triple Press as Trio. Cirque du Calder, a hand-made artist’s book with afterword by Gordon Lish, was presented by The Rogue Literary Society. Continue reading “Dactyl Literary Award: Shadowplay by Norman Lock”