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Ancient Wars/Modern Vets

One of the many great events scheduled for the Millbrook Literary Festival.

In this ninety-minute illustrated presentation, Peter Meineck offers short readings from contemporary translations of ancient texts to elucidate the connections between the experience of the American veteran community and the ancient Greeks and Romans. Participants will be asked to relate their own stories to the ancient material and together will explore themes such as coming home, democracy and war, women at war, the ethics of war and the relationships between veterans and civilians.

Peter Meineck, Clinical Professor of Classics, New York University; Founder & Board Member, Aquila Theatre.

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Dactyl Director, VN Alexander, selected to be Public Scholar for the NY Council for the Humanities

VN ALexander will be available to give public lectures through the New York Council for the Humanities.  Qualifying non-profit organizations in New York State can apply online at nyhumanities.org

PUBLIC SCHOLAR, NOV 2015 – NOV 2017

Alexander will be lecturing on the following topics: Continue reading “Dactyl Director, VN Alexander, selected to be Public Scholar for the NY Council for the Humanities”

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How can art and science interact meaningfully?

April 12, 2014

Based on a talk at the Leonardo Art and Science Rendezvous (LASER) meeting in NYC, Victoria N Alexander, PhD discusses how scientists can benefit from interaction with artists. This is the second video in the “Science, Art and Biosemiotics” series, produced and directed by Lucian Rex.
This video features painting, Epiphany, 1998 by James Gilroy

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The Science of Making Choices

February 24, 2014

What happens in your body when you choose to go right or left?  What makes your decisions? your Self? What do we mean by the word “choice”?

VN Alexander, PhD discusses the science of making choices from a complexity science-biosemiotic perspective. This is the first in a series of videos “Science, Art and Biosemiotics,” produced and directed by Lucian Rex.

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Biosemiotics Conference June 21-25, 2011

The Eleventh Annual International Gathering in Biosemiotics will be held from June 21 to June 26, 2011 under the auspices of the Dactyl Foundation at the Rockefeller University for Biomedical Research in New York City, USA.  Biosemiotics is an interdiscipline that seeks naturalistic understandings of metalistic phenomena, grounded in biology, and, in turn, seeks understandings of biological processes in terms of a general semiotics.

What can be learned about human semiosis, interpretation, communication, creativity and meaning-making by studying less complex but analogous phenomena in cellular signaling, chemotaxis, zoosemiotics, embryonic development, or the immune system? Can the pervasive metaphoric usages of chemical “message,” genetic “information,” and  “signaling” in contemporary biology be defined more precisely by taking them literally? While human symbolic representation may be species-specific–or at least unique to unusually big-brained animals–it must have emerged out of less complex semiotic processes and proto-semiotic processes.  What are the antecedents of human semiosis? And how can the exploration of these antecedents help bridge the unnatural gap between body and mind that was imposed centuries ago more for religious than scientific reasons?

All are welcome to attend. For registration information click here.

Want to learn more about Biosemiotics?  Visit the International Society for Biosemiotic Studies website, or listen to ISBS Vice-President Don Favareau on BBC radio.

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Creativity and Value: How A NonProfit Art Foundation Can Use Complex Systems Theory

August 2010

Adelphi University
Conference on Social Entrepreneurship
Lecture by Victoria N. Alexander, Director, Dactyl Foundation

The question everyone is interested in and the one I would like to be able to answer, at least in part, is the question of how a non-profit organization can avail itself of complex systems theory to make its complex system work in a complex world. Continue reading “Creativity and Value: How A NonProfit Art Foundation Can Use Complex Systems Theory”

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Featured Guests, Tyler Volk and Dorion Sagan, authors of Death & Sex

Friday, February 19th, 2010
4:00-6:00 PM
CompostModern Discussion Forum

Meet the authors of the critically acclaimed Death & Sex
a great excuse to talk about your favorite subjects in public…
Dorion Sagan has written and co-authored twenty-three books on evolution, cooking, and sex, translated into eleven languages. Sagan is the son of astronomer Carl Sagan and biologist Lynn Margulis.
Tyler Volk is a professor of biology at NYU who has written extensively on the Gaia hypothesis and life and death in the ecosystem. He is the author of four books and is affiliated with space life support research at NASA. Continue reading “Featured Guests, Tyler Volk and Dorion Sagan, authors of Death & Sex”

Join the forum discussion on this post

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John Allen Paulos, discussion

Thursday, November 6, 6:30PM

Wine & conversation with John Allen Paulos: Discussion Forum

Co-hosted by The Center for Inquiry

Paulos has written on the vagaries of the stock market in A Mathematician Plays the Stock Market, arguments for God in his most recent book, Irreligion, and the mathematical and philosophical basis of humor in Mathematics and Humor and I Think, Therefore I Laugh. Continue reading “John Allen Paulos, discussion”

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Dorion Sagan, reading and magic

Friday Oct 12, 2007 7:00-9:00 PM

Notes from the Holocene: A Brief History of the Future

In a thought-provoking, humorous, and engaging style, Dorion Sagan, the eldest son of Carl Sagan and evolutionary biologist Lynn Margulis, combines philosophy, science, magic, an understanding of illusion, and the fantastical writings of Philip K. Dick to probe the deep questions of existence. Operating on the precept that the universe if far Continue reading “Dorion Sagan, reading and magic”

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Society for Literature Science and the Arts, conference

November 9-12, 2006
EVOLUTION: BIOLOGICAL, CULTURAL, AND COSMIC
New York Art Science Festival
20th Annual Conference for the Society for Literature, Science and the Arts

Plenary Speaker: Lynn Margulis
Keynote Panel: Dorion Sagan and Eric Schneider
Special Presentation: Neil deGrasse Tyson
Site Chair: Victoria N. Alexander, Dactyl Foundation for the Arts & Humanities
Program Chair: Bruce Clarke, Texas Tech University Continue reading “Society for Literature Science and the Arts, conference”

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Poetics-Cognitive Science Colloquy

September 16-18, 2005
John Ashbery, Angus Fletcher, Walter J. Freeman, Rebecca Goldstein & Steven Pinker

Among the disciplines informing cognitive poetics, neuroscience has been undersung and underutilized, a trend that seems to suggest imminent remedy. Indeed, the recent experimental and theoretical advances offered by neuroscience question the traditional judgment that literary knowledge is incompatible with scientific knowledge. What insights might detailed attention to the neuronal activity of the brain lend to the creative process? Might this directionality be reversed, that is, might the complex structures interrogated by poetics yield a formal understanding that could, in turn, shed light on neuroscientific problems? Continue reading “Poetics-Cognitive Science Colloquy”

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Trauma at Home: After 9/11

June 6th 2003

7pm

Discussion: Trauma at Home: After 9/11 (University of Nebraska Press, 2003) Speakers will include: Jim Berger, Elizabeth Baer, Donna Bassin, Judith Greenberg (editor), Marianne Hirsch, Irene Kacandes, E. Ann Kaplan, Nancy K. Miller, and Richard Stamelman.

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Interrogating Dichotomies in the Arts & Sciences: panel discussion with Susan Oyama, Victoria N. Alexander & Sharon Lattig

November 8th 2002, 2-4 pm

CUNY Graduate Center

A panel discussion on new ways of interrogating dichotomies in the sciences Hosted at CUNY Graduate Center, 365 Fifth Avenue, Room 5409, by the 20th Century Group & Dactyl Foundation Panelists:

Susan Oyama is Professor of Psychology, Emerita, at John Jay College, and at the CUNY Graduate Center, New York City. Books include Cycles of Contingency, Developmental Systems and Evolution and Evolution’s Eye: A Systems View of the Biology-Culture Divide.

Continue reading “Interrogating Dichotomies in the Arts & Sciences: panel discussion with Susan Oyama, Victoria N. Alexander & Sharon Lattig”

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Josip Novakovich, reading with introduction by Victoria N. Alexander

Friday Oct. 25, 2002

Croatian-born Novakovich has published numerous works of fiction, including, Yolk and Salvation and Other Disasters. He received the Whiting Writer’s Award (1997), Guggenheim Fellowship (1999), two National Endowment for the Arts Fellowships (1991 and 2002), and a fellowship at The New York Public Library’s Center for Scholars and Writers in 2001/02. Novakovich also teaches in the English Department at Penn State University.
Continue reading “Josip Novakovich, reading with introduction by Victoria N. Alexander”

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Nabokov, Evolution, and Insect Mimicry, lecture by Victoria N. Alexander

November 10, 2001

Emergent Teleology and Nabokov’s Aesthetics

Although Vladimir Nabokov may be better known for his outstanding literary achievements, he also had gift for science. While acting as curator at Harvard’s Museum of Comparative Zoology in the 1940s, he became an expert on a group of butterflies popularly known as “Blues.” He named one species and several have been named after him. He published nine articles on lepidoptery in prestigious scientific journals. During this time, he also developed compelling ideas about evolution. He argued that some instances of insect mimicry did not result from Darwinian survival strategies; that is, slight resemblances could not be furthered by the function or purpose they served, leading gradually to better resemblances. I contend that Nabokov’s understanding of the origins of biological forms can be compared to recent work in evolutionary biology, namely structural evolution and neutral evolution. I also argue it was Nabokov’s aesthetic interest in the mechanisms behind teleological phenomena that gave him the insight to construct a theory of mimicry that now appears quite progressive for its time.

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History, Memory, Trauma, lecture by Dominick LaCapra

September 28, 2001

“History, Memory, Trauma,” a public lecture by Dominick LaCapra, recipient of the Dactyl award for aesthetic theory.

Ever since Theodor Adorno argued that “writing poetry after Auschwitz is barbaric,” all kinds of artists, not just poets, have been debating whether or not one can depict life optimistically. The Holocaust certainly questions how one can believe that every event ultimately serves some divine Continue reading “History, Memory, Trauma, lecture by Dominick LaCapra”

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“The Poet, The Critic, & The Interpreter: A Crash Course,”

April 26 2001

A public lecture under the title “The Poet, The Critic & The Interpreter: A Crash Course”

Angus Fletcher (Distinguished Professor Emeritus, Graduate School, CUNY)
Respondents:
Nico Israel (Asst. Prof, English, Hunter College, CUNY; critic, Artforum International Magazine)
and Victoria N. Alexander (Dactyl Foundation)
Hors d’oeuvres will be served at 6:30. Lecture begins at 7pm.


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Chaos in literature, science and art

April 4 – 6, 2000

Chaos in literature, science and art. Sponsored by Pfizer Corporation &Herbert Lee Grayson Foundation Panel Discussion:

Tuesday, April 4th & Wednesday, April 5th, 6pm
Angus Fletcher, CUNY on Spenser’s “Mutability Cantos”and the poetry of John Ashbery

Thursday, April 6th, 6pm John Ashbery, Bard College, poetry reading
Jim Crutchfield, Santa Fe Institute, on the physics of chaos
Joan Richardson, CUNY, on science & poetry
Angus Fletcher, CUNY, respondent

In history, chaos is anarchy, mutability, disorder, chance, indeterminacy, flux, non-linearity, entropy, irrational thought, creativity, destructive emotion and the primal source of all that is.

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Retrodiction

April 4-6 2000

Retrodiction  –The History of Chaos in Literature, Science and Art.

Retrodiction is a series of audio recordings designed for an Internet experience with visual, musical, interactive, and educational components. The series will explore the concept of chaos and the fundamental question: Do things happen by chance? or does nature govern by fixed laws? The goal is to increase public understanding of science through fiction, poetry, and philosophical writings. The project is a collaborative effort among Dactyl Foundation for the Arts and Humanities, the Santa Fe Institute, and the Art and Science Laboratory. Continue reading “Retrodiction”

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The Interpreters: Shaping American Art, panel discussion

April 30, 1998

Panel Discussion:“The Interpreters: Shaping American Art.” Moderated by Steven Vincent, Wall Street Journal, Art & Auction. DACTYL asked five writers: Do your essays and reviews reveal or conceal your process of interpretation? As interpreter you shape the way art is perceived: as a self-evident sign or image; as a mysterious code that requires a professional interpretation; or as an “inkblot” in which one may find any meaning one likes. In your opinion, what is the best approach for engaging or creating a serious art audience? Over forty art professionals attended the discussion. Continue reading “The Interpreters: Shaping American Art, panel discussion”

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Panel Discussion:”The Interpreters: Shaping American Art.

April 30 1998

Contributors include Carter Ratcliff, Rosie Schaap, Sarah Schmerler, Grady T. Turner, Alexi Worth, moderate by Steven Vincent, Wall Street Journal, Art & Auction. DACTYL asked five writers: Do your essays and reviews reveal or conceal your process of interpretation? As interpreter you shape the way art is perceived: as a self-evident sign or image; as a mysterious code that requires a professional interpretation; or as an “inkblot” in which one may find any meaning one likes. Continue reading “Panel Discussion:”The Interpreters: Shaping American Art.”

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Stephen Jay Gould, lecture

April 23, 1998

Lecture: Stephen Jay Gould and the Antioch Review, with an introduction by Robert S. Fogarty. Gould teaches biology, geology and the history of science at Harvard University, where he has been on the faculty since1967. Well known for his popular scientific writings, in particular his monthly column in Natural History magazine, he is the author of thirteen books, including: Ever Since Darwin; Evolution & Extinction : Eassys; Full House : The Spread of Excellence from Plato to Darwin; Human Evolution; Mismeasure of Man; Ontogeny and Phylogeny; and Why People Believe Weird Things : Pseudoscience, Superstition, and Other Confusions of Our Time. “The history of life is not necessarily progressive; it is certainly not predictable. History includes too much chaos, or extremely sensitive dependence on minute and unmeasurable differences in initial conditions, leading to massively divergent outcomes based on tiny and unknowable disparities in starting points.” -Stephen J. Gould.

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Stephen Jay Gould

April 23 1998

Stephen Jay Gould and the Antioch Review, with an introduction by Robert S. Fogarty. Gould teaches biology, geology and the history of science at Harvard University, where he has been on the faculty since1967. Well known for his popular scientific writings, in particular his monthly column in Natural History magazine, he is the author of thirteen books, including: Ever Since Darwin; Evolution & Extinction : Eassys; Full House : The Spread of Excellence from Plato to Darwin; Human Evolution; Mismeasure of Man; Ontogeny and Phylogeny; and Why People Believe Weird Things : Pseudoscience, Superstition, and Other Confusions of Our Time. “The history of life is not necessarily progressive; it is certainly not predictable. History includes too much chaos, or extremely sensitive dependence on minute and unmeasurable differences in initial conditions, leading to massively divergent outcomes based on tiny and unknowable disparities in starting points.” -Stephen J. Gould.