It’s that time of year

In 1959 Elizabeth Hardwick, novelist, reviewer, and wife of poet Robert Lowell, wrote a pointed critique of the book reviewing industry. She noted that the most trusted of review organs, the New York Times Book Review, was remarkable only for “the flat praise and the faint dissension, the minimal style and the light little article, the absence of involvement, passion, character, eccentricity — the lack, at last, of the literary tone itself.

That was 1959. The year is now 2017 and coming to a close, and that means it’s time for me to come to you, hat in hand, to ask for your support for Dactyl Review, a literary fiction book review created by and for the literary community. If sixty years ago literary reviewers had begun to dwindle, as Hardwick noted, in the following decades we have seen the disappearance of the literary reader, the literary writer’s habitat. You may think rightly of this as an appeal to save an endangered species.

Every year, about this time, I try to explain why literariness matters, why we all need a little poetics in our lives. You can find some of these appeals here and here and here. The same still goes for 2018. Please be as generous as you can. We’ve got some great authors and reviewers here who need readers. And your donation is tax-deductible.
-VN Alexander, Editor


The 2016 Dactyl Literary Fiction Award goes to Sea of Hooks by Lindsay Hill

seaofhooksSea of Hooks (McPherson & Co) was nominated by Barbara Roether, author of This Earth You’ll Come Back To. In her review of Hill’s unusual novel, Roether writes, “There is a paradox that floats through the Sea of Hooks, which is that the experience of reading it is almost the opposite of how it is written. That is to say, while the story is told in its short collage-like segments, their effect is an almost seamless classical narrative. The way sections move from multiple perspectives, dreamtime, real-time, then meld together with such cohesive and penetrating storytelling, is a testament to the author’s insightful eye for detail and character.”

We can say that Sea of Hooks  is a long narrative prose poem, which may be the essence of what it is to be a literary fiction novel.
Continue to Dactyl Review.

Final nominations for Dactyl Foundation’s 2015 Literary Fiction Award

In the last two weeks of the year, Dactyl reviewers posted seven excellent reviews of some very fine works of fiction. Thanks to all those who participated in Dactyl Review in 2015.

seaofhooksSea of Hooks by Lindsay Hill
Posted on December 31, 2015

Lindsay Hill casts a magician’s spell across his Sea of Hooks (McPherson, 348 pages). On the surface his world is rendered in bright pixels of quivering light, while underneath a seamless narrative undercurrent pulls us into the mysterious depths of experience. For the reader willing to dive under, this journey is unforgettable.

Sea of Hooks is, on the one hand, a fiercely original Bildungsroman set in San Francisco in the 50’s and 60’s. Christopher is an overly imaginative boy, part Holden Caulfield and part Little Lame Prince, who lives in precarious affluence in a darkish Victorian on the edge of Pacific Heights. His delicate, high-strung mother is obsessed with Japanese culture and dead by suicide in the first paragraph. Dad works in finance on the Pacific Stock exchange, until he doesn’t anymore. There are prep schools, bridge games, Dickensian neighbors like the wise and wonderful Dr. Thorn; along with house fires, a very nasty tutor/pederast from Stanford, a trip to Bhutan and encounters with Buddhist monks. Hill’s rich prose makes us feel Christopher is someone we have always known, a boy who lives in a house we have been to, whose eccentric mother we’ve had tea with, whose city we are walking in. Continue reading

Continue reading “Final nominations for Dactyl Foundation’s 2015 Literary Fiction Award”

Nominate your favorite literary fiction author for the $1,000 Dactyl Award

Dactyl Foundation offers a $1000 award to any literary fiction author, writing in English, who has published a book-length work, novel or collection of short stories. To be considered for the 2016 award, an author must be nominated by a peer, another published literary fiction author who must submit a review of one of the author’s works to Dactyl Review by December 31, 2015.

The Dactyl Foundation Literary Award is designed to encourage authors to work together to promote literary fiction.  The way the publishing and awards system is currently organized, too few people are in control of what books become known to the public. Too often the people making the decisions are more interested in the expected market performance of the work than in its literary merits. Dactyl Foundation wants to make it possible for more literary fiction writers to have a voice in deciding which works are recognized as literary. Dactyl Review does not have a staff of reviewers or judges; instead the literary fiction community is called upon to review and judge the works considered for the award.

See more:  http://dactylreview.com/2015/11/09/nominate-your-favorite-literary-fiction-author-for-the-1000-dactyl-award/

Dennis Must wins Dactyl Foundation Literary Award

March 23, 2015

We had many outstanding nominations for 2014 (and several late entries, hence the delay in announcing the award), and we are happy to congratulate Dennis Must for his fine work, Hush Now, Don’t Explain (Coffeetown Press in 2014), for which he will receive a $1000 prize.

In his review, Jack Remick called Hush Now, Don’t Explain, “a unique American novel, written in the language of the heartland before Jesus became a pawn in the political battle for the American soul. It is written in a subdued, subtle, understated lyrical style. It is as rich and diverse as America herself. It is at once a romance complete with trains, whorehouses, steel mills, and the death of the drive-in-movie theater.”

Here is Must:

These colossal land ships (trains) with spoked iron wheels taller than three of us…these were the engines of our dreams…Not like in the Pillar of Fire Tabernacle, where Christ hung on a cross and a single candle flickered under this feet…Everything inside the round house was glistening black, oil-oozing soot, except the hope curling out from under the bellies of those locomotives and their stacks, rising right up to the clerestory windows, then out to the sky and heaven. (109)

Thanks to Jack Remick for contributing the review. For more information about the Dactyl Award click here.

The Scapegoat by Sofia Nikolaidou

As I begin to write this on January 20, 2015, the news from Buenos Aires isn’t good. Albert Nisman, the federal prosecutor assigned to finally uncover the truth about the 1994 bombing of the Argentina Israelite Mutual Association, a Jewish community center, was found dead in his apartment. Nisman was about to reveal a high-level government conspiracy to cover up Iran’s role in the bombing, which killed 85 people. Argentina has long struggled with corruption and politicization of its government institutions, making it almost impossible for the nation to confront its demons—from sheltering Nazis to the 1970s/1980s rounding up and killing of leftists, communists, intellectuals, and Jews who became known as the desaparecidos opposed to the ruling right-wing Junto. The powerful are usually protected.
Continue to Dactyl Review.

Dactyl Foundation Literary Awards Announced

December 23, 2013

In the past three years, Dactyl Foundation has concentrated on developing the literary fiction community, which has dwindled over the past twenty years as publishing houses began to focus on big sellers ignoring the niche market of fine literature.

In 2010, we launched Dactyl Review, a community of literary fiction writers who review literary fiction and nominate works for Dactyl Foundation’s $1000 annual prize.  The contest is open to any living literary fiction writer, regardless of date of publication or type of publication. We are especially interested in books that came out some time ago and have not yet received the recognition they deserve.

This year we decided to award two prizes.  We are pleased to announce that the first award goes to The Double Life of Alfred Buber by David Schmahmann, published in 2011 by The Permanent Press.  The second award goes to Cocoa Almond Darling by Jeffra Hays, self-published in 2011 on Kindle.

Support this worthy project now by becoming a member or renewing your membership. Click here. We’ve got a lot of interesting and important work ahead of us. We can’t do it without you. Thanks in advance for your support. Dactyl Foundation is a 501 c3 organization, and your donation is fully tax-deductible.