Sometimes I like to explore the foggy borderlands between genre fiction and literary fiction.
Raymond Chandler’s crisp and evocative prose and insightful character development transcend the hard-boiled detective genre. His novel The Long Goodbye was praised in an anthology of American crime stories as “arguably the first book since Hammett’s The Glass Key, published more than twenty years earlier, to qualify as a serious and significant mainstream novel that just happened to possess elements of mystery.”
For similar reasons, the movie Chinatown escaped its noir pulp pigeonhole to become a classic of serious film (if such can ever come from Hollywood). Screenwriter Robert Towne and director Roman Polanski took it deeper than the standard commercial mystery pic.
If “eco-thriller” can be said to be a genre today, Biff Thuringer’s novel Wasted: A Story of Love Gone Toxic (Chronic Publishing/Epigraph Books, 280 pages) walks the liminal space where that category’s conventions give way to something more, an artful challenge to everyday thinking. Continue reading →