December 23, 2013
In the past three years, Dactyl Foundation has concentrated on developing the literary fiction community, which has dwindled over the past twenty years as publishing houses began to focus on big sellers ignoring the niche market of fine literature.
In 2010, we launched Dactyl Review, a community of literary fiction writers who review literary fiction and nominate works for Dactyl Foundation’s $1000 annual prize. The contest is open to any living literary fiction writer, regardless of date of publication or type of publication. We are especially interested in books that came out some time ago and have not yet received the recognition they deserve.
This year we decided to award two prizes. We are pleased to announce that the first award goes to The Double Life of Alfred Buber by David Schmahmann, published in 2011 by The Permanent Press. The second award goes to Cocoa Almond Darling by Jeffra Hays, self-published in 2011 on Kindle.
Support this worthy project now by becoming a member or renewing your membership. Click here. We’ve got a lot of interesting and important work ahead of us. We can’t do it without you. Thanks in advance for your support. Dactyl Foundation is a 501 c3 organization, and your donation is fully tax-deductible.
The Art of Fielding by Chad Harbach
reviewed by Charles Holdefer
Dactyl Review Project
There’s a long tradition of writing about sport that tries to be more than writing about sport. Journalism, it seems, is not enough. The events of a game and the constraints of its rules become raw materials for allegory. Much fuss has been made in recent years about the rise of nonfiction and its power over the popular imagination—but when it comes to sport, the lure of myth remains strong….
Thursdays, this Fall, 1-3PM
The CompostModern forum is made up of artists, poets, fiction writers, playwrights, scientists, mathematicians, musicians, actors and any one else interested in joining. Instead of presenting formal lectures or panels, we open the floor to the community. Featured guests and audience members are able to talk freely and on equal terms about everything from beauty and meaning to pop-culture. As the name implies, the CompostModern forum aims to re-cycle our rich aesthetic history. If the project of postmodernism was to deconstruct traditions, it has left us with a fertile soil out of which new forms may emerge. It is with the belief that all new forms of art must evolve from a history that we approach the guiding question of the forum: What is creativity?
Created by and for the literary fiction community. See our latest review Witz by Joshua Cohen. Review by Jeffra Hays.
Lecture by Victoria N. Alexander, Director, Dactyl Foundation
International Biosemiotics Studies, 13th Annual Gathering, Castiglioncello, Italy.
(numbers refer to slides)
CHANCE. What is it? What’s it got to do with the idea that interpretations are not determined by physical laws?
Thursday, September 27, 2012. 1-3PM
Our popular discussion forum is back! Live online! The CompostModern forum is made up of artists, poets, fiction writers, playwrights, scientists, mathematicians, musicians, actors and any one else interested in joining. Instead of presenting formal lectures or panels, we open the floor to the community. Featured guests and audience members are able to talk freely and on equal terms about everything from beauty and meaning to pop-culture. As the name implies, the CompostModern forum aims to re-cycle our rich aesthetic history. If the project of postmodernism was to deconstruct traditions, it has left us with a fertile soil out of which new forms may emerge. It is with the belief that all new forms of art must evolve from a history that we approach the guiding question of the forum: What is creativity?
Admission free. Reservation required. Write to email@example.com for the meeting link.
June 6, 2012
Escher’s Journal by Norman Lock is now available from ravennapress.com.
“I wrote this imaginary journal to explain a genuine interest in Escher’s work and to think as profoundly as I am able about the grand metaphysical notions that spellbind even the most cynical practitioner of the arts in our time: truth and semblance, the finite and the infinite, the temporal and the timeless, natural law and the dictates of unconscious life, dreaming and the creative imagination. (Those of us for whom to write is to consider ideas, playfully more often than not, seem never to tire of these oppositions.) And so Escher’s journal is also mine.” – Norman Lock, from the Afterword
Click on the cover to purchase the book from Amazon and 4-6% of your purchase price (at no additional cost to you) will go to support Dactyl Review.
A new online review of strictly literary fiction, created for and by the literary fiction community. For readers. As literary fiction disappears from the pages of major book reviews, it becomes harder to find good books to read. With tags for style and influence and easy access to excerpts, Dactyl Review is unlike any other fiction review site, helping readers find the particular kinds of “literary fiction” they prefer. Because we’re not a commercial site, we don’t favor the newest books or books by best-selling authors. We publish reviews of only the best literary fiction, older and new, as judged by other literary fiction writers. For writers. Helping to promote and support the kind of work you admire will help build a readership for your own work. Reviewers with the highest percentage of positive feedback will be noted in the top ten reviewers section. Go to dactylreview.org
February 23-26, 2012
Dactyl Foundation recommends the short play, “You Can’t Blame Me for Trying!”, starring Dasha Kittredge and Ben Monk (aka Ben Jorgensen), which is being featured as part of Week 3 of the Players Theatre Short Play and Musical Festival. The theme of all shows, in keeping with the Valentine’s Day holiday, will be “Sex!” (with an exclamation point). There will be FOUR performances:
Thursday, February 23, at 7PM
Friday, February 24, at 7PM
Saturday, February 25, at 7PM
Sunday, February 26, at 3PM
To reserve a ticket, visit the website below and select one of the four performances of “SEX!” listed above.
An important note: when purchasing tickets, you will be asked if you have a “promotional code.” The code is “cast.” Entering it entitles you to a $5 discount. The total cost of a ticket thus becomes $23.12 ($20 for the ticket plus a $3.12 “convenience charge”).
(Please note that plays in the festival may contain nudity and that no one under 18 will be admitted to the theater.)
For a number of years, publishing has been dominated by commercial fiction. Literary fiction novels and short story collections by small presses or independent authors have little chance of being noticed by reviewers or placed on bookstore shelves. Even the literary fiction written by relatively well-known writers published by big houses has been pushed to the side by pseudo-literary fiction — written and reviewed by those who don’t know the difference between thought and sentimentality, poetry and the use of adjectives — such that the meaning of “literary” is lost. With the way the publishing system is currently organized, books aren’t given much time in front of judges and audiences. Those that don’t make it immediately are tossed in the remaindered bin. A deep pity, as literary fiction is slow-growing and takes time to find its audience. Continue reading “Shelf Life: A literary fiction award that doesn’t expire”
Now you can support Dactyl Foundation’s art-science programs next time you make travel reservations using any one of the major online companies, like Orbitz or Travelocity, or when you make any purchase on Amazon.com. 6% will go to Dactyl Foundation at no extra cost to you. Just use the links below to enter your favorite online site and make your reservation or purchases as you normally would, and Dactyl Foundation will receive a 6% donation. You will see the same low prices as you would if you entered these sites directly.
Next time you make travel reservations online, enter your favorite site through this page Hopetels.com
Next time you’re buying ANYTHING on Amazon.com, enter through this page
The Biologist’s Mistress: Rethinking Self-Organization in Art, Literature, and Nature
We have an exciting conference and art exhibition on mimicry and crypsis planned for fall 2012. Stay tuned for the call for papers. Thanks for supporting Dactyl.
Dactyl Foundation is pleased to announce the publication of Victoria N. Alexander’s The Biologist’s Mistress: Rethinking Self-Organization in Art, Literature and Nature.
Teleology is like a mistress to the biologist; he dare not be seen with her in public but cannot live without her –J. B. S. Haldane
Drawing on her experiences as a complexity theorist, novelist and art-theorist, Victoria N. Alexander examines the history and practices of teleology, the study of purpose, in nature as well as in human behavior. She takes us “inside” paradoxically purposeful self-organizing entities (which somehow make themselves without having selves yet to do the making), and she shows us how poetic-like relationships—things coincidentally like each other or metaphoric and things coincidentally near each other or metonymic—help form organization where there was none before. She suggests that it is these chance language-like processes that result in emergent design and selfhood, thereby offering an alternative to postmodern theories that have unfairly snubbed the purposeful artist. Alexander claims that what has been missing from the general discussion of purposefulness is a theory of creativity, without which there can be no purposeful action, only robotic execution of inherited design. Thus revising while reviving teleology, she offers us a secular, non-essentialist conception of selfhood as an achievement that can be more than a momentary stay against the second law.
The book includes anecdotes about Dactyl Foundation’s artists and history. All proceeds from book sales will be donated to the foundation to help support educational programs and research in art-science.
New Summer Hours 2011 4-6PM
The CompostModern forum is made up of artists, poets, fiction writers, playwrights, scientists, mathematicians, musicians, actors and any one else interested in joining. We meet every Friday, and at least once or twice a month, we have a featured guest or two. Instead of presenting formal lectures or panels, we open the floor to the community. Featured guests and audience members are able to talk freely and on equal terms about everything from beauty and meaning to pop-culture. As the name implies, the CompostModern forum aims to re-cycle our rich aesthetic history. If the project of postmodernism was to deconstruct traditions, it has left us with a fertile soil out of which new forms may emerge. It is with the belief that all new forms of art must evolve from a history that we approach the guiding question of the forum: What is creativity?
The Eleventh Annual International Gathering in Biosemiotics will be held from June 21 to June 26, 2011 under the auspices of the Dactyl Foundation at the Rockefeller University for Biomedical Research in New York City, USA. Biosemiotics is an interdiscipline that seeks naturalistic understandings of metalistic phenomena, grounded in biology, and, in turn, seeks understandings of biological processes in terms of a general semiotics.
What can be learned about human semiosis, interpretation, communication, creativity and meaning-making by studying less complex but analogous phenomena in cellular signaling, chemotaxis, zoosemiotics, embryonic development, or the immune system? Can the pervasive metaphoric usages of chemical “message,” genetic “information,” and “signaling” in contemporary biology be defined more precisely by taking them literally? While human symbolic representation may be species-specific–or at least unique to unusually big-brained animals–it must have emerged out of less complex semiotic processes and proto-semiotic processes. What are the antecedents of human semiosis? And how can the exploration of these antecedents help bridge the unnatural gap between body and mind that was imposed centuries ago more for religious than scientific reasons?
All are welcome to attend. For registration information click here.
Want to learn more about Biosemiotics? Visit the International Society for Biosemiotic Studies website, or listen to ISBS Vice-President Don Favareau on BBC radio.
January 1, 2011
Shadowplay (Ellipsis Press, 137 pages) by Norman Lock is the 2010 Dactyl Foundation Literary Fiction Award recipient. A dense fable, mixing magic realism with self-reflexivity….. See Dactyl Review.
NORMAN LOCK is the author of The King of Sweden (Ravenna Press), Shadowplay (Ellipsis Press), A History of the Imagination (FC2), ‘The Book of Supplemental Diagrams’ for Marco Knauff’s Universe (Ravenna Press), The Long Rowing Unto Morning (Ravenna Press), Two Plays for Radio (Triple Press), and–writing as George Belden–Land of the Snow Men (from Calamari Press and in Japanese from Kawade Shobo). Two short-prose collections – Joseph Cornell’s Operas and Émigrés – were published by Elimae Books and subsequently issued, in Turkish, by an Istanbul publisher as part of its New World Writing series. Together with Grim Tales, they were brought out by Triple Press as Trio. Cirque du Calder, a hand-made artist’s book with afterword by Gordon Lish, was presented by The Rogue Literary Society. Continue reading “Dactyl Literary Award: Shadowplay by Norman Lock”
In her new film El Monte, Yelena Yemchuk’s crisp black-and-white rendering of a feverish dream is reminiscent of Fellini’s 8½, even using a breathless soundtrack in homage to the opening of the Italian director’s autobiographical masterpiece. An elegant, if unsettling, platform to showcase a festival of vintage gowns, El Monte features supermodel Natasa Vojnovic, who gives an accomplished and poetic performance, actor Ebon Moss-Bachrach, musician Melissa Auf der Maur and the haunting voice of Elisa Silver. Filmed at Dactyl Foundation for the Arts in New York, with mid-century furniture on loan from Chelsea’s Demisch Danant gallery, the set designed by Ukraine-born Yemchuk could easily be mistaken for a location featured Continue reading “Yelena Yemchuk’s film El Monte”
The Eleventh Annual International Gathering in Biosemiotics will be held from June 21 to June 26, 2011 under the auspices of the Dactyl Foundation at the Rockefeller University for Biomedical Research in New York City, USA. The Scientific Advisory Committee of the Eleventh Annual Gatherings in Biosemiotics welcomes paper proposals from researchers in any academic discipline who are investigating the presence and the role of sign processes in living systems.
What is Biosemiotics? Listen to philosopher Don Favareau on BBC radio.
The call for papers is now closed. Continue reading “Call for Papers: 11th Annual Biosemiotics Gathering”
September 10, 2010
Stella McCartney’s New York store will host a special exhibition by Helena Christensen for Fashion’s Night Out on September 10. Photography purchased at the event will benefit Chernobyl Children’s Project International. The exhibition is curated by Neil Grayson of The Dactyl Foundation and the photography will be available for purchase through the end of September. Christensen has been a long time supporter of Chernobyl Children’s Project International, the charity that helps children and communities who are affected by the Chernobyl nuclear disaster. Continue reading “Helena Christensen at Stella McCartney’s for the Chernobyl Children’s Project International, curated by Neil Grayson”
Conference on Social Entrepreneurship
Lecture by Victoria N. Alexander, Director, Dactyl Foundation
The question everyone is interested in and the one I would like to be able to answer, at least in part, is the question of how a non-profit organization can avail itself of complex systems theory to make its complex system work in a complex world. Continue reading “Creativity and Value: How A NonProfit Art Foundation Can Use Complex Systems Theory”
Thursdays 1-6 PM
Dactyl Foundation presents work by Judy Glantzman, Sage Vaughn, Neck Face, and Yelena Yemchuk. Continue reading “Summer Salon Show 2010”
Every Thursday 4:00 – 6:00 PM
Featured Guest Nathan Cabot Hale, Sculptor. July 29.
Nathan Cabot Hale is a sculptor, painter and author of numerous books on art, including Abstraction in Art and Nature, Creating Welded Sculpture, and Exploring the Roots of Human Emotion in Sculpture. Hale will speak about, among other things, how lines of growth and structure, water and liquid forms, weather and atmospheric patterns, luminosity, earth colors, many other elements are shown to be wellsprings of creative abstraction. Continue reading “CompostModern Discussion Forum: New Summer Hours”
Friday, June 25, 2010 5-7 pm
Open Readings with Katalina Mustatea
The aim of The Cultivator series is to give breath and voice to dramatic scripts in progress, and to act as a seedbed for new dramatic writing. The Cultivator invites thoughtful experiments with form and language, and encourages spontaneous, organic collaborations between playwrights and performers. Each script presentation will be followed by a salon-style discussion, where participants and audience can talk freely about the work presented, or else consider the broader implications of theater and performance art in our culture. Part of the weekly CompostModern Discussion Forum at Dactyl, this monthly series will follow the forum’s general scope and format. Continue reading “Cultivator Playreading Series”
Friday, June 4, 2010 4-6PM
Documentary maker Elisa Perea talks about and shows clips from “Nogales aqui es…” (Nogales, this is it… the border city)
A film presenting the creative experiences of a generation of visual artists in their playground; their field of dreams…Nogales… the city. The one they see and the one they imagine… a bordertown awakened through their work… a journey via their art and testimony… offering an alternative description of a territory that is often misunderstood by both bordering countries. This project was funded by The National Council for the Arts and Culture of Mexico and by the Sonoran Institute of Culture. Continue reading “CompostModern featured guest Elisa Perea”
Friday May 21, 2010 4-6PM
Laura Otis began her career as a scientist, earning her B.S. in Molecular Biophysics and Biochemistry from Yale in 1983 and her M.A. in Neuroscience from the University of California at San Francisco in 1988. Before receiving her Ph.D. in Comparative Literature from Cornell University in 1991, she worked in labs for eight years. Since 1986, she has been studying and teaching about the Continue reading “CompostModern Forum: featured guest Laura Otis”
Friday, April 30, 2010 5-7 pm
with Katalina Mustatea, Don DiPaolo and Amy Staats
The aim of The Cultivator series is to give breath and voice to dramatic scripts in progress, and to act as a seedbed for new dramatic writing. The Cultivator invites thoughtful experiments with form and language, and encourages spontaneous, organic collaborations between playwrights and performers. Each script presentation will be followed by a salon-style discussion, where participants and audience can talk freely about the work presented, or else consider the broader implications of theater and performance art in our culture. Part of the weekly CompostModern Discussion Forum at Dactyl, this monthly series will follow the Continue reading “Cultivator Play Reading Series”
Opening: Saturday, April 17th 6:30-9:00PM
Hosted by Helena Christensen & Neil Grayson.
On View April 17 – May 6, Tues – Sat 12-6pm.
Slow Road to China is an extraordinary, moving and powerful series of images documenting the people of remote mountain communities in the Humla region of Northwest Nepal.
Continue reading “Drew Doggett: Slow Road to China Exhibition and Book Launch Event”
Friday April 2, 2010, 4-6 PM
Victoria Alexander will give a 30 min talk at 5PM
Secular Teleology for the 21st Century
In a teleological narrative, all the events depicted, or at least the key ones, are chosen and included because of the way they reflect, refract, or prefigure a general theme of the story or the end of the story, the resolution of a problem. There is usually progression or development. Events exist in the story because of the purpose they serve. Critics of “teleological” narratives may claim that “realistic” representation should capture a world in Continue reading “CompostModern Forum: featured member Victoria N. Alexander”